Join the community to get access to our awarded '365 Days of Photography Course'.

Meet Kevin Landwer-Johan, your new Photography Coach

Kevin LJ is an award-winning photographer, whose life changed years ago, when he decided to take photography seriously.

As a young man working at a daily newspaper, Kevin rose quickly through the ranks and became a photojournalist. He was determined to learn insider tricks from the top photojournalists, yet he found his colleagues extremely secretive, when it came to sharing their skills… Kevin decided to start his own freelance photography business. His company grew, and enjoyed a successful 30 year run, collaborating with agencies and publications such as:

417
Students Enrolled
5.0/5
Star Rating
98%
Recommends

Take a look at Previous Students Results.

Guess the photos taken before the course, and the photos taken after!

Get your 365 Days of Photography Excellence Certificate

Receive your hard-copy via mail, or a digital copy, including:

Who is this course for?

This course is for those looking to learn the art of photography or sharpen the skills they already have, regardless of their past experiences.

First-Time Camera Owners

You are in the right place! Every module will teach you new skills, so that your theoretical knowledge and your ability to create life-changing images develops as fast as possible!

On-and-Off Camera Users

Whether you’ve been taking photos for a few years, or a few decades, you’ll be inspired by the way we add to your foundational knowledge; by learning new techniques and discovering whole new worlds of photography you didn’t know existed.

Dedicated Photographers

Aside from improving your technical knowledge, our main aim is to get you to take whole new types of photos you have never taken before. Get ready to be challenged, and to have your eyes opened to new possibilities!

Hear the first class from Kevin LJ, our Master Photographer, whose teachings have launched hundreds of successful photography careers!

How will this course help you succeed

Course Overview

13 Modules / 402 Lessons

Getting to Know Your Camera

1.1 How Your Camera Makes a Photograph

Watch demo

1.2 How To Hold Your Camera

Watch demo

1.3 Setting Your Diopter

SIGN UP TO GET ACCESS

1.4 Using RAW and/or JPEG

SIGN UP TO GET ACCESS

1.5 JPG Image Size/Quality

SIGN UP TO GET ACCESS

1.6 basic controls explained- Exposure and Focus

SIGN UP TO GET ACCESS

1.7 Make sure it's sharp

SIGN UP TO GET ACCESS

1.8 What To Focus On

SIGN UP TO GET ACCESS

1.9 What's the right exposure? Under, over, where you meter from

SIGN UP TO GET ACCESS

1.10 Using your camera monitor or viewfinder

SIGN UP TO GET ACCESS

1.11 Introduction to the Exposure Triangle

SIGN UP TO GET ACCESS

1.12 Exposure modes - M,A,S,P etc

SIGN UP TO GET ACCESS

1.13 Aperture Priority

SIGN UP TO GET ACCESS

1.14 Shutter Priority

SIGN UP TO GET ACCESS

1.15 Program

SIGN UP TO GET ACCESS

1.16 Scene Modes

SIGN UP TO GET ACCESS

1.17 Using Exposure Compensation - Increasing Exposure

SIGN UP TO GET ACCESS

1.18 Using Exposure Compensation - Decreasing Exposure

SIGN UP TO GET ACCESS

1.19 How to Avoid Using Exposure Compensation

SIGN UP TO GET ACCESS

1.20 Intro to Manual Mode

SIGN UP TO GET ACCESS

1.21 Light and how we see differently than our cameras

SIGN UP TO GET ACCESS

1.22 Setting The Metering Mode

SIGN UP TO GET ACCESS

1.23 Hard Light - High Contrast

SIGN UP TO GET ACCESS

1.24 Soft Light - Low Contrast

SIGN UP TO GET ACCESS

1.25 Low Light Limitations

SIGN UP TO GET ACCESS

1.26 Histogram and Blinkies

SIGN UP TO GET ACCESS

1.27 Depth of Field - How your lens and it's settings can affect sharpness

SIGN UP TO GET ACCESS

1.28 movement - subject and camera

SIGN UP TO GET ACCESS

1.29 Did you fill the frame?

SIGN UP TO GET ACCESS

1.30 How was your timing?

SIGN UP TO GET ACCESS

Understanding Your Camera Better

2.1 Multi Point Auto-Focus

SIGN UP TO GET ACCESS

2.2 Single Point Auto Focus

SIGN UP TO GET ACCESS

2.3 Single Servo Focus

SIGN UP TO GET ACCESS

2.4 Continuous Servo Focus

SIGN UP TO GET ACCESS

2.5 Manual Focus

SIGN UP TO GET ACCESS

2.6 What ISO is and How It Works Part 1

SIGN UP TO GET ACCESS

2.7 What ISO is and How It Works Part 2

SIGN UP TO GET ACCESS

2.8 Auto ISO

SIGN UP TO GET ACCESS

2.9 Understanding Photography ‘Stops’

SIGN UP TO GET ACCESS

2.10 An Introduction To What Shutter Speed is and How It Works

SIGN UP TO GET ACCESS

2.11 What Shutter Speed is and How It Works - Part 2

SIGN UP TO GET ACCESS

2.12 Introduction to Aperture

SIGN UP TO GET ACCESS

2.13 More About Aperture

SIGN UP TO GET ACCESS

2.14 Bracketing

SIGN UP TO GET ACCESS

2.15 Single or Burst mode

SIGN UP TO GET ACCESS

2.16 Front Light

SIGN UP TO GET ACCESS

2.17 Back Light

SIGN UP TO GET ACCESS

2.18 Side Light

SIGN UP TO GET ACCESS

2.19 Using your monitor to review your photos. What to look for

SIGN UP TO GET ACCESS

2.20 understanding the info displays

SIGN UP TO GET ACCESS

2.21 Histograms

SIGN UP TO GET ACCESS

2.22 how the exposure meter works

SIGN UP TO GET ACCESS

2.23 Dynamic range

SIGN UP TO GET ACCESS

2.24 distracting bright areas

SIGN UP TO GET ACCESS

2.25 DOF - what and why

SIGN UP TO GET ACCESS

2.26 Managing Moving Subjects

SIGN UP TO GET ACCESS

2.27 white balance

SIGN UP TO GET ACCESS

2.28 More About RAW Files

SIGN UP TO GET ACCESS

2.29 jpg adjustments in camera

SIGN UP TO GET ACCESS

2.30 EXIF Data

SIGN UP TO GET ACCESS

2.31 Reviewing Your Photos on Your Computer

SIGN UP TO GET ACCESS

Lenses and Composition

3.1 Different Focal Lengths

SIGN UP TO GET ACCESS

3.2 Primes and Zooms

SIGN UP TO GET ACCESS

3.3 Widest aperture and what it means

SIGN UP TO GET ACCESS

3.4 Zoom with Your Feet

SIGN UP TO GET ACCESS

3.5 Kit Lens Medium/Standard

SIGN UP TO GET ACCESS

3.6 Wide

SIGN UP TO GET ACCESS

3.7 Telephoto

SIGN UP TO GET ACCESS

3.8 Macro

SIGN UP TO GET ACCESS

3.9 Fill the frame

SIGN UP TO GET ACCESS

3.10 Vertical, Horizontal or tilt

SIGN UP TO GET ACCESS

3.11 Find a Clear Center of Interest

SIGN UP TO GET ACCESS

3.12 Rule of Thirds

SIGN UP TO GET ACCESS

3.13 Leading lines

SIGN UP TO GET ACCESS

3.14 Horizontal Lines

SIGN UP TO GET ACCESS

3.15 Composition - Vertical Lines

SIGN UP TO GET ACCESS

3.16 Composition - Diagonal Lines

SIGN UP TO GET ACCESS

3.17 Composition - Converging Lines

SIGN UP TO GET ACCESS

3.18 Composition - Curved Lines

SIGN UP TO GET ACCESS

3.19 Composition Squares, Rectangles and Triangles

SIGN UP TO GET ACCESS

3.20 Composition Circles and Ovals

SIGN UP TO GET ACCESS

3.21 Symmetry

SIGN UP TO GET ACCESS

3.22 Patterns

SIGN UP TO GET ACCESS

3.23 Eye Central

SIGN UP TO GET ACCESS

3.24 Isolate Your Subject

SIGN UP TO GET ACCESS

3.25 Isolate your subject using light known as figure to ground.

SIGN UP TO GET ACCESS

3.26 Isolate your subject using DOF

SIGN UP TO GET ACCESS

3.27 Control Your Depth of Field

SIGN UP TO GET ACCESS

3.28 Isolate your subject using POV

SIGN UP TO GET ACCESS

3.29 Shape and Form

SIGN UP TO GET ACCESS

3.30 Negative Space

SIGN UP TO GET ACCESS

Lenses and Composition #2

4.1 What lens to choose

SIGN UP TO GET ACCESS

4.2 Composition with wider lens

SIGN UP TO GET ACCESS

4.3 Composition with a medium lens

SIGN UP TO GET ACCESS

4.4 Composition with a long lens

SIGN UP TO GET ACCESS

4.5 Don't only take the first angle you think of, or the second

SIGN UP TO GET ACCESS

4.6 reflections and shadows in compositions

SIGN UP TO GET ACCESS

4.7 Reflections, good and bad

SIGN UP TO GET ACCESS

4.8 Point of View Middle

SIGN UP TO GET ACCESS

4.9 Point of View - Low

SIGN UP TO GET ACCESS

4.10 Point of View - High

SIGN UP TO GET ACCESS

4.11 Crop Hard

SIGN UP TO GET ACCESS

4.12 Crop Loose

SIGN UP TO GET ACCESS

4.13 Use Frames

SIGN UP TO GET ACCESS

4.14 Foreground Interest

SIGN UP TO GET ACCESS

4.15 Be Aware of the Background

SIGN UP TO GET ACCESS

4.16 Think Square

SIGN UP TO GET ACCESS

4.17 Making 2D photos

SIGN UP TO GET ACCESS

4.18 Balance the elements in your frame

SIGN UP TO GET ACCESS

4.19 Making Photos with depth

SIGN UP TO GET ACCESS

4.20 Juxtaposition

SIGN UP TO GET ACCESS

4.21 POV Control your lines (VT Lesson 20)

SIGN UP TO GET ACCESS

4.22 Leading the Eye (The Photographers Mind page 109)

SIGN UP TO GET ACCESS

4.23 DOF distance ratios

SIGN UP TO GET ACCESS

4.24 DOF Deep

SIGN UP TO GET ACCESS

4.25 DOF Shallow

SIGN UP TO GET ACCESS

4.26 DOF wide lens

SIGN UP TO GET ACCESS

4.27 DOF medium lens

SIGN UP TO GET ACCESS

4.28 DOF tele lens

SIGN UP TO GET ACCESS

4.29 Bokeh (Visual Dictionary page 41)

SIGN UP TO GET ACCESS

4.30 Filters - UV, polarize, ND

SIGN UP TO GET ACCESS

Introducing Manual Mode Photography

5.1 Step #1.40 Monitor Review to Determine Exposure

SIGN UP TO GET ACCESS

5.2 Metering

SIGN UP TO GET ACCESS

5.3 read the light from middle grey

SIGN UP TO GET ACCESS

5.4 1/13 Looking at Your Camera's Exposure Meter. Manual Exposure Setting Part 01

SIGN UP TO GET ACCESS

5.5 1/14 Manual Exposure in Soft Light - Manual Exposure Setting Part 02

SIGN UP TO GET ACCESS

5.6 1/15 Manual Exposure in Hard Light - Manual Exposure Setting Part 03

SIGN UP TO GET ACCESS

5.7 Manual Exposure night

SIGN UP TO GET ACCESS

5.8 1/16 Dynamic Range - Manual Exposure Setting Part 04

SIGN UP TO GET ACCESS

5.9 Step #2.15 Manual Exposure. Averaged Metering

SIGN UP TO GET ACCESS

5.10 Step #2.16 Manual Metering Spot Meter

SIGN UP TO GET ACCESS

5.11 Step #2.17 Manual Metering Center Weighted Meter

SIGN UP TO GET ACCESS

5.12 Learning to choose the best metering mode

SIGN UP TO GET ACCESS

5.13 Using a combination of averaged and spot metering

SIGN UP TO GET ACCESS

5.14 Being more precise - Using a combination of averaged and spot metering

SIGN UP TO GET ACCESS

5.15 Bracketing

SIGN UP TO GET ACCESS

5.16 Understanding how your histogram can give you confidence in your exposure

SIGN UP TO GET ACCESS

5.17 Manual exp and histogram

SIGN UP TO GET ACCESS

5.18 about the zone system

SIGN UP TO GET ACCESS

5.19 exposure triangle

SIGN UP TO GET ACCESS

5.20 Aperture

SIGN UP TO GET ACCESS

5.21 SS

SIGN UP TO GET ACCESS

5.22 ISO

SIGN UP TO GET ACCESS

5.23 Understanding Stops

SIGN UP TO GET ACCESS

5.24 When Manual mode is Essential - back light, high contrast etc

SIGN UP TO GET ACCESS

5.25 Exposure for Color

SIGN UP TO GET ACCESS

5.26 Deciding What You Want

SIGN UP TO GET ACCESS

5.27 Understanding what you are looking at.

SIGN UP TO GET ACCESS

5.28 Correct Exposure

SIGN UP TO GET ACCESS

5.29 Expose for mood, not information

SIGN UP TO GET ACCESS

5.30 Your choice

SIGN UP TO GET ACCESS

Understanding Light, tone and contrast

6.1 Light and Tone

SIGN UP TO GET ACCESS

6.2 Zone system

SIGN UP TO GET ACCESS

6.3 Considering composition in relation to tonal range

SIGN UP TO GET ACCESS

6.4 Shadows

SIGN UP TO GET ACCESS

6.5 Highlights

SIGN UP TO GET ACCESS

6.6 Contrast

SIGN UP TO GET ACCESS

6.7 High key, low key

SIGN UP TO GET ACCESS

6.8 Low Key

SIGN UP TO GET ACCESS

6.9 High Key

SIGN UP TO GET ACCESS

6.10 Lens flare

SIGN UP TO GET ACCESS

6.11 lens flare use

SIGN UP TO GET ACCESS

6.12 Silhouette

SIGN UP TO GET ACCESS

6.13 translucent subjects

SIGN UP TO GET ACCESS

6.14 Light/Time of Day effect on tone range

SIGN UP TO GET ACCESS

6.15 Hard Light/High Contrast

SIGN UP TO GET ACCESS

6.16 Soft Light/Smooth tones

SIGN UP TO GET ACCESS

6.17 Squint Your Eyes to see bright areas

SIGN UP TO GET ACCESS

6.18 More on what our eyes see and how our cameras are different

SIGN UP TO GET ACCESS

6.19 Dynamic range

SIGN UP TO GET ACCESS

6.20 HDR

SIGN UP TO GET ACCESS

6.21 more about Metering modes

SIGN UP TO GET ACCESS

6.22 Expose for black and white

SIGN UP TO GET ACCESS

6.23 Backlighting

SIGN UP TO GET ACCESS

6.24 Exposure reading for backlighting

SIGN UP TO GET ACCESS

6.25 More about Exposure

SIGN UP TO GET ACCESS

6.26 Exposing for predominantly light (white) scenes

SIGN UP TO GET ACCESS

6.27 Exposing for predominantly dark (black) scenes

SIGN UP TO GET ACCESS

6.28 Color Contrast

SIGN UP TO GET ACCESS

6.29 How light affects Color Saturation

SIGN UP TO GET ACCESS

6.30 Using light and tone to create feeling

SIGN UP TO GET ACCESS

6.31 Using tone and contrast as graphic elements (shapes) in your photos.

SIGN UP TO GET ACCESS

Using Flash, constant lights and reflectors

7.1 On camera flash

SIGN UP TO GET ACCESS

7.2 Off camera flash

SIGN UP TO GET ACCESS

7.3 bounce flash

SIGN UP TO GET ACCESS

7.4 bare flash

SIGN UP TO GET ACCESS

7.5 soft box flash

SIGN UP TO GET ACCESS

7.6 snoot flash

SIGN UP TO GET ACCESS

7.7 Balancing for flash - using flash with ambient light not just when it's dark

SIGN UP TO GET ACCESS

7.8 TTL or Manual flash?

SIGN UP TO GET ACCESS

7.9 Red Eye Reduction

SIGN UP TO GET ACCESS

7.10 Flash setting options

SIGN UP TO GET ACCESS

7.11 More than one Flash

SIGN UP TO GET ACCESS

7.12 Surface appearance

SIGN UP TO GET ACCESS

7.13 Angle of Light

SIGN UP TO GET ACCESS

7.14 Distance of light from subject

SIGN UP TO GET ACCESS

7.15 Revealing Texture

SIGN UP TO GET ACCESS

7.16 Making the most of direct reflection

SIGN UP TO GET ACCESS

7.17 Understanding color temperature

SIGN UP TO GET ACCESS

7.18 Hard and Soft light revisited

SIGN UP TO GET ACCESS

7.19 Light vs Lighting

SIGN UP TO GET ACCESS

7.20 When to use a Flash

SIGN UP TO GET ACCESS

7.21 When to Use a Constant Light

SIGN UP TO GET ACCESS

7.22 When to use a reflector

SIGN UP TO GET ACCESS

7.23 Which surface of a reflector is best?

SIGN UP TO GET ACCESS

7.24 Limitations of LEDs comapared to flash

SIGN UP TO GET ACCESS

7.25 Strengths of LED over flash

SIGN UP TO GET ACCESS

7.26 Flash and reflector together.

SIGN UP TO GET ACCESS

7.27 Direction of Added light

SIGN UP TO GET ACCESS

7.28 How much light do you want to add?

SIGN UP TO GET ACCESS

7.29 Front and Rear Sync

SIGN UP TO GET ACCESS

7.30 What you can use as a make shift reflector

SIGN UP TO GET ACCESS

7.31 Using a reflector to block the light

SIGN UP TO GET ACCESS

Low Light Photography & Slow Shutter Speed Photography

8.1 When to change your ISO

SIGN UP TO GET ACCESS

8.2 How high to set your ISO

SIGN UP TO GET ACCESS

8.3 Why not to use Auto ISO

SIGN UP TO GET ACCESS

8.4 Set noise reduction on your camera

SIGN UP TO GET ACCESS

8.5 Choice - ISO or Slower Shutter Speed?

SIGN UP TO GET ACCESS

8.6 Freeze and Blur

SIGN UP TO GET ACCESS

8.7 Using a tripod

SIGN UP TO GET ACCESS

8.8 Not using a tripod 1 - ALWAYS USE BURST MODE TO TAKE 3 or more photos

SIGN UP TO GET ACCESS

8.9 Not using a tripod 2

SIGN UP TO GET ACCESS

8.10 Not using a tripod 3

SIGN UP TO GET ACCESS

8.11 Self Timer/Cable/App Release for extra stability

SIGN UP TO GET ACCESS

8.12 Check your histogram

SIGN UP TO GET ACCESS

8.13 Motion – walking

SIGN UP TO GET ACCESS

8.14 Motion – vehicle night

SIGN UP TO GET ACCESS

8.15 Motion – vehicle day

SIGN UP TO GET ACCESS

8.16 Panning

SIGN UP TO GET ACCESS

8.17 Matching shutter speed with motion speed 1

SIGN UP TO GET ACCESS

8.18 Matching shutter speed with motion speed 2

SIGN UP TO GET ACCESS

8.19 Using the BULB setting

SIGN UP TO GET ACCESS

8.20 Intentional camera movement

SIGN UP TO GET ACCESS

8.21 Composing in low light (dark areas)

SIGN UP TO GET ACCESS

8.22 Be aware of super bright highlights

SIGN UP TO GET ACCESS

8.23 Manage Your White balance

SIGN UP TO GET ACCESS

8.24 Experiment with White balance

SIGN UP TO GET ACCESS

8.25 Use High ISO to help stop motion - subject and camera shake

SIGN UP TO GET ACCESS

8.26 Use fast lenses

SIGN UP TO GET ACCESS

8.27 High ISO and detail influenced by noise

SIGN UP TO GET ACCESS

8.28 Photographing moving vehicles - light trails

SIGN UP TO GET ACCESS

8.29 The Blue 'Hour' Technique

SIGN UP TO GET ACCESS

8.30 Make the same picture in the day and in the night (and evening)

SIGN UP TO GET ACCESS

Color and Black and White

9.1 Importance of color

SIGN UP TO GET ACCESS

9.2 Color Relationships

SIGN UP TO GET ACCESS

9.3 Playing with color

SIGN UP TO GET ACCESS

9.4 Know when and why to convert to black and white

SIGN UP TO GET ACCESS

9.5 Thinking (seeing) in Black and White

SIGN UP TO GET ACCESS

9.6 How colors render in black and white

SIGN UP TO GET ACCESS

9.7 Complimentary colors

SIGN UP TO GET ACCESS

9.8 monotone color

SIGN UP TO GET ACCESS

9.9 Warm Colors

SIGN UP TO GET ACCESS

9.10 Cool Colors

SIGN UP TO GET ACCESS

9.11 Saturated

SIGN UP TO GET ACCESS

9.12 De-Saturated

SIGN UP TO GET ACCESS

9.13 How color can affect emotional focus

SIGN UP TO GET ACCESS

9.14 How light affects color

SIGN UP TO GET ACCESS

9.15 Light Temperature

SIGN UP TO GET ACCESS

9.16 How low light affects color and contrast

SIGN UP TO GET ACCESS

9.17 How hard light affects color and contrast

SIGN UP TO GET ACCESS

9.18 Alternative WB

SIGN UP TO GET ACCESS

9.19 Lightroom

SIGN UP TO GET ACCESS

9.20 Plug ins

SIGN UP TO GET ACCESS

9.21 High contrast black and white

SIGN UP TO GET ACCESS

9.22 Low contrast black and white

SIGN UP TO GET ACCESS

9.23 Black and white for enhanced emotional focus

SIGN UP TO GET ACCESS

9.24 High Contrast Color

SIGN UP TO GET ACCESS

9.25 Low contrast color

SIGN UP TO GET ACCESS

9.26 Select one color to photograph

SIGN UP TO GET ACCESS

9.27 Isolating a single color

SIGN UP TO GET ACCESS

9.28 Make a Series with unifying color consistency

SIGN UP TO GET ACCESS

9.29 Limit your palette

SIGN UP TO GET ACCESS

9.30 Maximize your palette

SIGN UP TO GET ACCESS

Look - Think - Click

10.1 How to see better pictures

SIGN UP TO GET ACCESS

10.2 Anticipating the photo you want

SIGN UP TO GET ACCESS

10.3 Explore the subject

SIGN UP TO GET ACCESS

10.4 Knowing your camera so well you don't have to think consciously about every setting

SIGN UP TO GET ACCESS

10.5 Be Patient

SIGN UP TO GET ACCESS

10.6 consider the light

SIGN UP TO GET ACCESS

10.7 Seeing reflected light

SIGN UP TO GET ACCESS

10.8 Adding reflected light

SIGN UP TO GET ACCESS

10.9 Shutter modes – Burst/Single

SIGN UP TO GET ACCESS

10.10 Distances from camera to subject and background

SIGN UP TO GET ACCESS

10.11 Choosing a background

SIGN UP TO GET ACCESS

10.12 Isolate your subject with contrast. Dark bg

SIGN UP TO GET ACCESS

10.13 Isolate your subject with contrast. Light bg

SIGN UP TO GET ACCESS

10.14 Isolate your subject with controlled DOF

SIGN UP TO GET ACCESS

10.15 Isolate Through Composition choice

SIGN UP TO GET ACCESS

10.16 Point of View - Where are you taking photos from?

SIGN UP TO GET ACCESS

10.17 manipulate the scene - move things you don't want in your photo

SIGN UP TO GET ACCESS

10.18 Stay with the situation

SIGN UP TO GET ACCESS

10.19 Composition - Fill the frame

SIGN UP TO GET ACCESS

10.20 Timing

SIGN UP TO GET ACCESS

10.21 Exposure/Light

SIGN UP TO GET ACCESS

10.22 Color/Tone

SIGN UP TO GET ACCESS

10.23 Relationship

SIGN UP TO GET ACCESS

10.24 Take Lots of Photos

SIGN UP TO GET ACCESS

10.25 Photograph with Both Eyes Open

SIGN UP TO GET ACCESS

10.26 Step Outside Your Comfort Zone

SIGN UP TO GET ACCESS

10.27 Point of View and Timing. Frame it and wait

SIGN UP TO GET ACCESS

10.28 Observe and get a feel for a location

SIGN UP TO GET ACCESS

10.29 Incorporate Photography into Your Schedule

SIGN UP TO GET ACCESS

10.30 Revisit Locations and Subjects

SIGN UP TO GET ACCESS

Developing Your Photographic Style

11.1 Know what you love and photograph it - Concentrate

SIGN UP TO GET ACCESS

11.2 Plan a series - so you can see your style evolve

SIGN UP TO GET ACCESS

11.3 Concentrate on Subject

SIGN UP TO GET ACCESS

11.4 Mood, not information

SIGN UP TO GET ACCESS

11.5 Information, not mood

SIGN UP TO GET ACCESS

11.6 Your style will be crafted with intuition - concentrate on knowing a subject you love

SIGN UP TO GET ACCESS

11.7 Choice about exposure

SIGN UP TO GET ACCESS

11.8 Choice about composition

SIGN UP TO GET ACCESS

11.9 Choice about light

SIGN UP TO GET ACCESS

11.10 Choice about contrast

SIGN UP TO GET ACCESS

11.11 Color

SIGN UP TO GET ACCESS

11.12 Choice about Concept

SIGN UP TO GET ACCESS

11.13 Analyze - what you did yesterday, all or last week

SIGN UP TO GET ACCESS

11.14 Decide the how you want to portray your subject and stick to this.

SIGN UP TO GET ACCESS

11.15 Study the styles of others who have strong style

SIGN UP TO GET ACCESS

11.16 Make lists of techniques to try so people can discover what they like.

SIGN UP TO GET ACCESS

11.17 Saturation

SIGN UP TO GET ACCESS

11.18 Photojournalistic

SIGN UP TO GET ACCESS

11.19 simple

SIGN UP TO GET ACCESS

11.20 emotional

SIGN UP TO GET ACCESS

11.21 silhouettes

SIGN UP TO GET ACCESS

11.22 Finding your Favorite Lens

SIGN UP TO GET ACCESS

11.23 100mm

SIGN UP TO GET ACCESS

11.24 50mm

SIGN UP TO GET ACCESS

11.25 35mm

SIGN UP TO GET ACCESS

11.26 24mm

SIGN UP TO GET ACCESS

11.27 Flash use

SIGN UP TO GET ACCESS

11.28 Try different, uncomfortable subjects, to see what will happen

SIGN UP TO GET ACCESS

11.29 Mention Post Processing Somewhere

SIGN UP TO GET ACCESS

11.30 Photograph something you have never photographed before

SIGN UP TO GET ACCESS

11.31 Photography is something you always enjoy photographing and do it differently. Lens, technique, at night etc

SIGN UP TO GET ACCESS

Photography Project - Making a Narrative Photograph and Edit

12.1 What Project is best for you?

SIGN UP TO GET ACCESS

12.2 Who's your target audience?

SIGN UP TO GET ACCESS

12.3 Plan your month

SIGN UP TO GET ACCESS

12.4 Beginning Your Story

SIGN UP TO GET ACCESS

12.5 Wide

SIGN UP TO GET ACCESS

12.6 Medium

SIGN UP TO GET ACCESS

12.7 close up

SIGN UP TO GET ACCESS

12.8 soft light

SIGN UP TO GET ACCESS

12.9 hard light

SIGN UP TO GET ACCESS

12.10 black and white

SIGN UP TO GET ACCESS

12.11 color

SIGN UP TO GET ACCESS

12.12 one predominant color

SIGN UP TO GET ACCESS

12.13 beginning

SIGN UP TO GET ACCESS

12.14 middle

SIGN UP TO GET ACCESS

12.15 end

SIGN UP TO GET ACCESS

12.16 Culling and looking forward

SIGN UP TO GET ACCESS

12.17 hero photos

SIGN UP TO GET ACCESS

12.18 Mood / atmosphere / feeling

SIGN UP TO GET ACCESS

12.19 composition continuity

SIGN UP TO GET ACCESS

12.20 style/continuity

SIGN UP TO GET ACCESS

12.21 What's your goal for your project?

SIGN UP TO GET ACCESS

12.22 Plan your project

SIGN UP TO GET ACCESS

12.23 What's your intent?

SIGN UP TO GET ACCESS

12.24 Look for what catches your attention.

SIGN UP TO GET ACCESS

12.25 Look for patterns and repetitions

SIGN UP TO GET ACCESS

12.26 Copy the style of your favorite photographer or movie director

SIGN UP TO GET ACCESS

12.27 Deadline - how long will it take

SIGN UP TO GET ACCESS

12.28 How will you share your project

SIGN UP TO GET ACCESS

12.29 Express your experience

SIGN UP TO GET ACCESS

12.30 Add captions - make it even more personal

SIGN UP TO GET ACCESS

Portraits in Natural Light (Bonus module)

1. Choose your lens focal length

SIGN UP TO GET ACCESS

2. Prime or Zoom

SIGN UP TO GET ACCESS

3. Close up or environmental

SIGN UP TO GET ACCESS

4. Watch your shutter speed

SIGN UP TO GET ACCESS

5. Relate to your subject

SIGN UP TO GET ACCESS

6. Aim for Natural Expression

SIGN UP TO GET ACCESS

7. direct your subject

SIGN UP TO GET ACCESS

8. Sitting or Standing?

SIGN UP TO GET ACCESS

9. The Landscape Portrait

SIGN UP TO GET ACCESS

10. Move around your subject, check the background

SIGN UP TO GET ACCESS

11. Crop Carefully (not too much headroom)

SIGN UP TO GET ACCESS

12. DOF Shallow

SIGN UP TO GET ACCESS

13. DOF Deep

SIGN UP TO GET ACCESS

14. Look for great light (S Kelby Vol 3 #106?)

SIGN UP TO GET ACCESS

15. Reading the light

SIGN UP TO GET ACCESS

16. Shade

SIGN UP TO GET ACCESS

17. Overcast

SIGN UP TO GET ACCESS

18. Dappled Light

SIGN UP TO GET ACCESS

19. Sunlight

SIGN UP TO GET ACCESS

20. Backlighting

SIGN UP TO GET ACCESS

21. Introduce Lens flare

SIGN UP TO GET ACCESS

22. Reflectors

SIGN UP TO GET ACCESS

23. Catchlights

SIGN UP TO GET ACCESS

24. Using Window Light (S Kelby vol 2 #88)

SIGN UP TO GET ACCESS

25. Light for Mood

SIGN UP TO GET ACCESS

26. Use props

SIGN UP TO GET ACCESS

27. Dark Background

SIGN UP TO GET ACCESS

28. Light Background

SIGN UP TO GET ACCESS

29. Get Your Model Moving

SIGN UP TO GET ACCESS

30. Fill Flash

SIGN UP TO GET ACCESS

31. Rear Curtain Sync

SIGN UP TO GET ACCESS

Get these early-bird discounts if you sign up today…

Bonus #1
13th Month
Bonus #2
Networking Head-start
Bonus #3
Enjoy our Daily Challenges!

30 DAY FULL-REFUND GUARANTEE

We’re so sure that you’ll love our course and that every module will stimulate and inspire you enough, that you’ll want to come back for more learning! To show you how confident we are, we’re putting our money where our mouth is... For the first 30 days of the course, you can un-enroll at any time - and you will get a 100% refund. No questions asked.

Access at all times via our Mobile Application

Our course is available through our very own app in Android and iOs.

Listen to our podcast about the course

Join the 365 Days of Photography Course

Price

$99/year

(this course comes together with our main membership)

Frequently Asked Questions

Still not sure? Find answers to your questions here...

There are 12 modules included in the 365 Days of Photography Course. More modules covering advanced topics will be added at a later date.

Each lesson is short, only 5 minutes or less. With each lesson, there is a challenge that can take as little as 10 minutes or as long as you have to spend on it.

Any camera that you can control the exposure manually. This is most cameras available today but excludes the most basic compact cameras that only operate automatically.

Lessons are all pre-recorded. As part of the course, you have access to a group forum where you can interact with others taking the course to share photos and discuss your experiences.

Yes, you can meet them online in the course forum.

You can start the course whenever you like. It’s available 24/7 365.

You can view each lesson, one per day, at any time of day, but only one new lesson every 24 hours.

Payment for the course is required before you can join and begin the lessons.

You will have access to one lesson per day. If you skip one or more days, those lessons will be available to you. So, if you’re away for a weekend and miss a couple of lessons on Saturday and Sunday, you can do three lessons on Monday to catch up.

Each lesson has a specific focus on one aspect of photography. Lessons are in video format with photos and animations to illustrate the teaching. Modules will at times have groups of lessons covering more complex topics. Each lesson has an accompanying Challenge that includes a practical photography exercise so each day you can put into practice what you are learning.

You will need a computer or tablet to review your photos. A tripod will help in some of the lessons but is not essential if you don’t have one.

Yes, you will earn a certificate of completion at the end of the course.

Yes. From time to time, Photography Course will release extra material exclusive to students of the 365 Days of Photography Course.

Lessons will play on any device capable of playing videos. This includes smartphones, tablets, PC’s and Mac’s.

No. This course is designed for beginners and those new to photography who want to learn the essentials, step by step in bitesize lessons.

You can watch one lesson per day. If you miss one or more days, these lessons will become available to you and you can watch them in any order you like. However, we recommend you watch them in sequence as they are published as the course builds on previous lessons.

Yes, you can watch each lesson as many times are you like. The lessons are short and concise so if you need to review the information it will not take much time.

The course consists of lessons presented in video format. Each lesson is accompanied by a Challenge. The challenges are also presented in video format and each one has an accompanying PDF file. There are example photos, graphics, and animations throughout to clearly illustrate the teaching.

This course is available anywhere you have an internet connection. The teaching and challenges are relevant internationally.

All of the lessons are subtitled in English. Kevin teaches in clear, easy-to-understand language and avoids using jargon wherever possible. However, subtitles may make it easier for some people to understand, so we’ve included them.

Explore, Learn, and Connect: Dive into Our Classes, Podcasts, and Contests with a 7-Day Trial for Just $1

X