While there are many times when you’re taking photographs indoors, when the pros are talking about interior
It’s different from real estate photography because the focus is on the interior of homes or other spaces. But, as with many other photographic shoots that may take place indoors, there are several challenges to think about.
We have created a quick video with some tips on how to shoot interior
Let’s take a look at 9 essential tips that will help you create beautiful interior space images. These tips are presented under some general challenges that the interior photographer typically faces:
What Type of Light Should an Interior Photographer Use?
1. One of the biggest challenges for any kind of indoor
Light bulbs cause shadows and color casts that will give your images an unpleasant, yellow hue. If at all possible, you want to turn off any indoor lighting, and open all the shades to let in as much natural light as possible. But, sometimes that’s not enough, or you might need to photograph the lighting options in the interior space.
2. If you have to use artificial sources of light, then use LED bulbs. Fluorescent lighting will give you the most trouble, but LEDs are able to mimic natural sunlight. Most architects and designers are already using LED lighting because of this feature, but you should be sure to bring your own bulbs in case you have to replace a dud.
3. Bounce the light using shoot-through umbrellas, reflectors, and bounce cards, to both direct the light and shape it so that it lights the interior and creates the types of shadows you want.Â
What Camera Settings Should an Interior Photographer Use?
4. Shoot in RAW: This is one of the best tips for most types of photographic shoots, because shooting in RAW gives you the most flexibility in post-production processing. This gives you much more control over your final image.Â
5. Aperture Settings: Because you’re shooting interiors, you’ll likely want a more open aperture, and that means a smaller f stop number. But, it also depends on what you’re shooting since the aperture setting also controls your depth of field.
So, if you’re shooting a whole room, and you want everything in the shot to be in sharp focus, you have to have a more closed aperture (higher f stop number) to achieve the focus, but you still need it to be open enough (lower f stop number) to let in enough light. That’s a delicate balancing act, and that means you’ll need to practice with your particular camera.
As any good photographer knows, you have to have a strong understanding of your own camera’s settings and how they affect the images, but to help you out, you should know that most interior photographs are shot in the f/8 to f/16 range.
It’s also helpful to bracket your images. Bracketing is where you take a series of shots at slightly different exposures. For example, you want 3 – 4 shots at varying exposures for any image with a window in it. This allows you to not only select the best exposure, but to actually layer the various exposures together in one image in order to create a perfectly exposed photograph.
The best aperture setting depends on the indoor situation, but if you’re talking about interior design
6. Shutter Speed and ISO settings are also important considerations in lower light settings as is typical for interior
It’s a balancing act with your aperture and ISO settings. For aperture settings between f/8 and f/16, your shutter speed will typically be between 2 and 8 seconds. Again, by bracketing your shots, you can vary the settings to get the best exposure or layer the exposures for the perfect image.
The ISO is another setting that determines your camera’s sensitivity to the available light. In low light settings, you want a higher ISO, but the problem with higher ISOs is that it dramatically increases the image noise–that is, the pixelated effect on the image. Noise can be reduced in post-production, but only so much, so it’s better to use lower ISO settings for most images.
There is, however, a little room to play with–the most common ISO settings are 100, 200, 400, and 800, but if you have a compact camera, ISO settings of 50-200 usually produce an acceptable level of image noise. For digital SLR cameras, the range is 50-800, and sometimes even higher. Again, you should practice with your camera so that you know how these settings will affect your images.
Typically, an ISO setting between 200 – 400 should work well without introducing too much noise, but depending on your camera, you may be able to go even higher with an acceptable level of noise. That’s why it’s important to practice with your specific camera–by experimenting, you’ll know how high you can go.
How Do You Stage the Scene?
7. Shoot Straight: You don’t want to introduce odd angles, so you should make sure you’re shooting straight. Point your camera so that it aligns perfectly with one of the walls to make sure you’re shooting straight on.
You can use a grid on your viewfinder to make sure the wall’s horizontal and vertical lines are lining up; that will ensure you’re not creating an angle in the image. This allows for a more harmonious composition, and it gives you better options for cropping the image in post-production.
It’s also helpful to shoot from waist level. If you shoot from a standing position, that will result in a downward angle, and if you’re emphasizing furniture and decor, you won’t want that angled perspective.
8. Create Depth in the Room: Creating depth in the room can add interest and give the space a luxurious feel. One of the best tips is to remove any clutter in the room. Think carefully about what you want to include to give the image the feel you want it to have.
Next, as you set up your shot, think about where you want the viewer’s eye to land and whether there are items that lead the eye to where you want it to land or if there is something that distracts the eye. For example, something on the edge of the photograph that is sneaking into the foreground can be a distracting feature if it is too brightly colored, or maybe, if it’s too in-focus, or if there’s too much of it.
You want to have the decorative items that appear in the image lead the viewer’s eye toward the main focus of the photograph–that might be in the foreground, the middle, or the background. So, remove anything that’s distracting and try to capture the leading lines that will take the viewer where you want them to go.
9. Don’t Go Too Wide: With real estate
By using these tips, you can create some stunning interior photos that show the beauty and flow of the space. With a little creativity and a good understanding of your camera, you can capture the features that make the space unique.
If you have a good grasp of aperture, shutter speed, and ISO settings and how they affect your camera’s images, you can use those settings to capture enough natural light to flood the space without the use of artificial light sources. You can also bounce the light to fill in areas with deep shadows, and if you must use an artificial light source, LED bulbs are good because they mimic sunlight. But, it’s still likely you’ll do some post-production processing, and shooting in RAW will make that much easier.
Of course, key to beautiful interior photos is the way the scene is set up. You want to remove clutter, and arrange the scene so that it is free of distracting objects and the lines created by the decor lead the viewer’s eye to where you intend it to go. It helps to shoot straight on rather than at an angle, and shooting from the waist can help eliminate angles created by shooting in a standing position.
Remember that unlike real estate