Photography isn’t an end in and of itself. It’s a means to another end – a way to tell stories, to document, to be curious. My job isn’t to take pictures; my job is to be a curious person and show others what they might miss.
Edwin Remsberg
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Edwin Remsberg’s life is a tapestry of fascinating contrasts and connections—photographer, pilot, tinkerer, teacher, and shepherd. Growing up on a farm in Maryland, Edwin’s world has always been intricately tied to the land and its stories.
From an early dream of piloting planes to becoming Maryland’s premier agricultural photographer, Edwin’s path was both serendipitous and deeply rooted in his love for storytelling.
Over the course of his career, Edwin has captured the intricacies of culture, agricultural life, and human moments across all 50 U.S. states and more than 50 countries. Whether documenting traditional crafts in Maryland, exploring vibrant folk cultures, or teaching farmers in Uganda how to photograph their products, Edwin uses his camera as a voice—a way to share what curiosity uncovers with the rest of the world.
For him, photography isn’t just about taking images; it’s about recognizing stories, celebrating connections, and sharing perspectives others might overlook.
In this episode, Edwin and I talk about:
- How Edwin’s early connection to agriculture and his dream of flying planes evolved into a remarkable career as Maryland’s premier agricultural photographer.
- His unique approach to photography as a tool for storytelling, curiosity, and celebrating overlooked perspectives.
- The impactful work he’s done through teaching and international development, including helping farmers globally market their products through photography.
Get ready to be inspired by Edwin’s relentless curiosity and his commitment to shining a light on life’s most meaningful details. Enjoy this episode!
Q: What kind of compositions do you look for while in the sky?
Edwin Remsberg: Well, for me, especially now, it’s I usually I like using a longer glass telephoto because it’s not something you were seeing a lot. Mainly because a lot of people use drones and drones tend to shoot a little wider. However, a lot of people shoot with very normal lenses. Usually I have another pilot with me. Meaning when I’m shooting the pictures, there’s another pilot flying. This allows for creative freedom when shooting.
Q: What specifically about Maryland’s agricultural heritage do you like focusing on in your photography?
Edwin Remsberg: Well, it’s really the people. You know, that’s my background. I’ve been here long enough and am related to a lot of them, and I get to observe everybody. I didn’t plan to become an agricultural photographer. Like I said, I wanted to be a ‘Mr. Guts and Glory’ combat photographer. It was almost by accident that I realized this is what I’m good at. This is what I know. These are my people, and that’s where I really have something unique to offer.
Q: Did your initial success kind of springboard you into your career, or was there another instance in your life where you realized you needed to be a photographer?
Edwin Remsberg: I love photography, but it’s not an end in itself. It’s really a means to another end. I wanted to tell stories and document things, and photography gave me a voice. I often tell people that my job isn’t just being a photographer; it’s being a curious person who happens to have a camera to share what I’m curious about.
