How to Edit Food Photos in Lightroom

8 min read

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Buttered herbed walnuts using the Lightroom masking feature. © Launie Kettler
Quick summary

This guide to editing your food photos in Lightroom will cover the basics, including white balance, exposure, saturation, brightness, clarity, and sharpness. So, the next time you sit down to edit, you will have a reference guide to help you make your food pop!

When you want your poblanos to pop, your oranges to amaze, or your stew to be stellar, you’re going to want your images to be attention ready and portfolio worthy, because our social media feeds are also our portfolios.

And learning to edit photos in Lightroom is a big help in that regard. The right edits can make your images immediate and even more appealing. If they’re not properly saturated, or if the white balance is off, people are going to just keep scrolling. And no one wants that.

I am here to help you learn how to adjust exposure, fine-tune white balance, play with your hue or shadows, and achieve the most natural-looking photos possible.

Because, while you’re working on your emotional resonance in food photography, you’re striving to evoke moods and desires, not just aesthetics. You want people to want that chicken tinga, and to crave that chocolate bark. And that’s where good post-processing comes into the picture.

Preparing for Editing Food Photos

Throw on your favorite background music and prepare to get Zen. You’ve worked your magic in the camera, and now it’s editing time!

You’re going to be concentrating on the basics, and then you’re going to work your way into post editing for some tweaks that you may never have thought were possible.

Understanding the Basics

Raw files.
Shooting roasted potatoes in RAW format. © Launie Kettler

RAW is your friend. It’s your buddy. It’s who you call when your car metaphorically runs out of gas and leaves you stranded by the side of the road. In other words, RAW is what you want to shoot in for the best natural-looking images.

JPEGS can be bossy little buggers who want to override your opinions about contrast, brightness, and sharpening. So, when you shoot in RAW, you have the uncompressed file and all the information therein. High-quality RAW files are the ultimate foundation for food photography.

Za’atar pita in natural sidelight. © Launie Kettler

Another foundational thing you want to think about is light. You want the best possible natural-looking lighting to enhance the beauty of your food. Whether you do that through natural or artificial light is up to you.

Essential Editing Techniques

The editing process is as creative as styling your plate or choosing a background. You’re working on white balance and color correction. You’re enhancing details and sharpness in your food photos.

And you’re subtly making that photo go from something “pretty good,” to something you want to share with the world!

Exposure.
Steak frites and Brussels sprouts in shallot butter. © Launie Kettler

Adjusting Exposure and Contrast

When you’re adjusting exposure, what you’re really doing isn’t just evening out the light between too light or dark; you’re also adjusting exposure for detail enhancement.

From a small bowl of raspberries slightly obscured in the background, to shadows falling across a roasted chicken, exposure makes all the difference in the world.

When you look at a photo and think, “Meh. That’s really flat and kind of boring,” that’s often because of low contrast. It evens everything out, so nothing really pops. When there’s high contrast, both the shadows and the light make the texture of food appealing.

For instance, think of a loaf of bread with an enticingly craggy crust and a drizzle of olive oil glistening off the edge. That’s a “micro-contrast,” and it’s a technique where you can make adjustments to subtly enhance texture detail, without overpowering the image.

Managing White Balance and Color Correction

White balance.
White balance in chili cheddar scones. © Launie Kettler

White balance is everything in food photography. When you’re shooting nature, the viewer can still enjoy the view even if the color is off a bit, and the sky is too blue or the grass is washed out.

But nobody wants to eat blue chicken. Or have salad greens look pale. White balance keeps your food true to life.

And that’s why using Lightroom’s white balance selector tool is great to let your natural food colors shine by referencing neutral tones or known color values within the image.

Why, yes, those blueberries are actually blue!

Enhancing Detail and Sharpness

Detail and sharpness.
Detail in blanched tomatoes. © Launie Kettler

I find that the sliders in Lightroom for Clarity, Texture, Dehaze, and Grain take me a lot further in tweaking detail and sharpness than the actual “sharpness” tool. That tool can very easily create artifacts like noise and visible lines.

When you’re editing in post, one of the most important tips I can give you is to keep an eye on your food texture. That grain on the slice of beef can easily turn unappetizing with too much sharpening or color adjustments.

Creative Adjustments

No presets.
Jalapenos and tomatillos with no preset. © Launie Kettler

When you feel like going a little crazy, using filters, presets, and selective adjustments (dodging and burning) can take you where you want to go.

Lightroom has creative editing tools called “Subtle“, “Strong“, and “B&W” as presets, and they live up to their names. Subtle is nuanced, and strong will knock your socks off.

Strong preset.
The same photo of jalapenos and tomatillos with a “strong” preset. © Launie Kettler

And it’s always fun to use split-toning to create unique visual moods, mimicking natural times of day like dawn or dusk.

Advanced Editing Techniques

Now that you’ve played around with the basics and some creative adjustments, let’s dive into more of the deep water of what Lightroom can do to your food photography.

Using Masks and Local Adjustments

Luminance original.
Original photo of broccolini and blood oranges. © Launie Kettler

Let me introduce you to my friend, the mask! It’s great for highlighting specific areas or reducing glare in objects like silver utensils.

For instance, in these photos, you can see after masking how the oranges have been brightened and the glare of the broccolini has been decreased.

Luminance applied.
After masking, now the blood oranges are the star of the show! © Launie Kettler

Using the masking feature allows you to create highlights and make localized, subtle (or not so subtle) tweaks to different ingredients or areas on plated food.

Did I mention how much I love this tool for food photos?

Luminous range original.
Poached pears before the luminance range masking tool. © Launie Kettler

There is also the luminance range masking tool, which allows you to be hyper-specific for brightness and tone adjustments of similarly lit items in your food photographs.

But one rule of thumb with all masking is to start small and go from there. It’s easy to overdo color adjustments.

Luminance range applied.
Poached pears after using the luminance range masking tool. © Launie Kettler

Effective Color Grading

Do you know who else is your bestie? The HSL panels in Lightroom. They allow you to control “Hue,” “Saturation,” and “Luminance.”

HSL (Hue, Saturation, and Lightness).
Togarashi spice mix with the reds popped. © Launie Kettler

By utilizing those panels, you can bring out the colors you want to highlight. They also allow you to utilize curves for color correction and allow you to pop the saturation.

When a photo is just looking a little “meh,” because of the subject matter or I’m just stumped over the styling, I find the color that’s in the image the least, and that’s the one I saturate. For instance, the chilies and Shuhan peppercorns in the togarashi.

Cinematic.
The Togarashi is using a cinematic preset. © Launie Kettler

And when you really want to take your creativity out for a metaphorical spin, there are more “cinematic” grading presets in Lightroom than you can shake a stick at.

Have you ever wanted your food photography to look a little film noir, sci-fi, or glitzy and glamorous? Play around with those and find out!

Specialized Techniques for Challenging Subjects

Clarity texture dehaze.
Tomatillos with texture. © Launie Kettler

A great editing technique for difficult-to-shoot things like brown or other difficultly colored food is to really lean into textures.

That’s when your fingers reach for the Clarity, Texture, Dehaze, and Grain sliders. Another tip is to warm up the colors, which will give the food a cozy feel.

Other things that can be challenging to edit are glossy foods like sauces or beverages. That’s another chance for you to play with masking to reduce the glare. And to play with HSL to make vibrant colors take front and center!

Practical Tips and Avoiding Common Mistakes

When photographing food, you’re keeping one hundred different things in your mind at once. The composition, the lighting, the perfect framing, and of course, the delicate food itself!

So, here are some tips and examples to help you streamline the process.

Composition and Lighting Setup

Making your own backdrops using white, black, or other colorful foam board will save you money and take your photography composition where you want to go. So, make sure to keep some of that around in case you’re in a pinch!

Also, keep your light sources in mind before shooting, so you can visualize how the end result will turn out after editing.

For instance, that pretty yellow backdrop might be a bit too much on a sunny day and blow out your bowl of curry soup.

Before radial and linear gradient.
Chicken and a mushroom cream sauce before Radial and Linear Gradient. © Launie Kettler

We’ve talked about how brown food can be tricky, but one thing I’ve found is that it likes hard light, which shows off its textures.

A good tip for that is enhancing directional light using Lightroom’s Radial and Linear Gradient masks. This can mimic the sculpting of light done with bounces and reflectors.

You can also use the brush feature in masking to make it warmer and more vibrant.

After radial and linear gradient.
Chicken in a mushroom cream sauce with the Radial and Linear Gradient mask. © Launie Kettler

Export Settings

Different social media platforms have different sizes and styles that they prefer. For instance, Pinterest adores a vertical shot at 1000×1500, and Instagram likes a square image at 1080×1080.

You can organize your preset management in Lightroom and export settings for various platforms.

Sized for Instagram.
Habaneros sized for Instagram. © Launie Kettler

Workflow

To maintain consistency in my editing, I start with exposure, white balance, and contrast. Then I crop or straighten if necessary, and then I dive into color correcting and finally masking or spot removal.

And then I keep in mind and adjust which social media platform I’m going to be posting on when I export.

Conclusion

No preset tool.
No preset tool for quiche cooling in the window. © Launie Kettler

Lightroom offers a great way to get creative with its tools for light, color saturation, and masking.

Get cinematic, get stark, heck, you can even go black and white for a noir look. It’s up to you, and you’re literally the director of your own story with food photos as the star in your production. And that’s the whole point.

So, go ahead and make that wild crop that captures your imagination, get crazy with composition, and indulge your inner child with props.

With preset tool.
Quiche cooling in the window with a cinematic preset tool. © Launie Kettler

Like I said above, I have my own editing workflow with exposure and working my way through white balance, cropping, masking, etc. But you may want to start with cropping and go from there.

So, let me know what your process consists of in the comments. I’d love to hear about how you go from A to B in Lightroom.

Because, in this competitive market, your choices can create your own personal style, and that’s what sets us all apart. We all have our own gifts to give to the world of food photography, and what beautiful gifts those are.

Take Away

The next time you open Lightroom, you will have new knowledge of useful tools for your beautiful food photos, and you will feel fully confident making your dishes look appetizing and gorgeous!

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Launie Kettler is a food photographer and recipe developer who cooks big food in a small kitchen in northern Vermont. Her husband and cats are tolerant of the fact that she plays the same Wilco and Son Volt albums over and over while pontificating about the beauty of cumin. Launie is also the co-author of The Everything Mediterranean Slow Cooker Cookbook and her recipes and photos have been featured in Where Women Cook, Fresh Magazine, and on Salon.
Launie Kettler is a food photographer and recipe developer who cooks big food in a small kitchen in northern Vermont. Her husband and cats are tolerant of the fact that she plays the same Wilco and Son Volt albums over and over while pontificating about the beauty of cumin. Launie is also the co-author of The Everything Mediterranean Slow Cooker Cookbook and her recipes and photos have been featured in Where Women Cook, Fresh Magazine, and on Salon.
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