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Autofocus Modes Explained – Your Complete Guide

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autofocus modes.
Quick summary

This guide is all about autofocus – autofocus modes, to be more precise. You might already have experienced how convenient your camera’s AF system can be when used right, but do you know how to reap maximum benefits out of it by tailoring each of its many modes to your particular shot? That and more is what we will be looking at today. You will learn not just what each of your camera’s AF modes mean, but also how to pair them with the right AF Area modes – an essential skill for any digital photographer!

A modern digital camera is a true powerhouse of a machine. Capable of both fine control and inhuman speeds of operation, modern gear allows for photography that simply wouldn’t have been possible in years past. However, with all that power comes great responsibility, too!

A great example of that fact is autofocus modes. Far from being the ‘fire and forget’ feature that many make it out to be, autofocus is only as useful as the operator is skilled. Managing your autofocus modes right can mean the difference between a wasted shot and a lucky hit!

Just that is what today’s guide is going to be all about. Let us take a good look at everything autofocus modes are good for, how they work, and how to choose the right one.

Why Use Autofocus Modes Instead of Manual Focus?

First of all, we need to establish the fact that every setting on your camera has its own use and shines when employed to its strengths. That includes focus modes, of course.

Sometimes, an autofocus mode may present a unique advantage and may be suited much better to the shot in your viewfinder. However, other times you may be much better off using manual focus instead.

That brings us to a critical question: how do you know which mode is best?

A young female photographer focusing manually on her subject. Manual focus can be a worthy alternative to some autofocus modes in some circumstances.

Experienced photographers may have a certain sixth sense for these kinds of things, switching between manual focus and autofocus mode on the fly as needed. As a beginner, you need to exercise more discretion. You should remind yourself to think carefully about which setting you’re using and why.

Generally speaking, the nature, location, and speed of your subject are the most important factors you need to consider. If your subject moves quickly, it will be much more difficult to capture in sharp focus manually.

By contrast, the right autofocus modes can lock focus and snap pin-sharp photos of even the trickiest moving subjects.

Of course, this is not all! You will see that some autofocus modes are indeed designed for use with static subjects as well. In this case, speed is not the main determiner, but rather accuracy. Compared to manual focus mode, the right AF setting lets you select a specific focus point and get much more accurate results, even in challenging lighting and unusual angles.

Selecting a Focus Point Manually, and When You Should

A blank view of a typical DSLR focusing screen. AF points clearly visible around center of view.

Speaking of which, let’s delve a bit deeper into how to set manual focus points while using autofocus mode. By default, your digital camera detects where in the frame focus should be set. The majority of the time, that’s the center by default. Some more sophisticated AF modes may automatically scan for faces and lock focus on them instead.

Either way, what happens when you wish to focus on something that is not in the middle of the frame and doesn’t match your camera’s default AF target? One option would be to use the old-fashioned ‘focus and recompose’ technique, which also works in manual focus mode.

If you’re looking for a more elegant solution, stay in AF mode and take a glance at your focus points. Look beyond the default central focus point and try using some of the surrounding focus points closer to the edge of the frame. You will see how this allows shifts in focus without moving the viewfinder or changing any other settings by hand.

By setting manual focus points, you can quickly and easily adjust the quality of focus in your image without changing autofocus modes. At the same time, you can work more smoothly and quickly than would be possible in pure manual focus.

Active vs. Passive Autofocus Modes

Before we go into depth concerning the individual autofocus modes at your disposal, it’s important for you to know a bit first about how autofocus really works behind the scenes.

Practically every AF system found in cameras today belongs to one of two distinct types, active or passive. While most compact and budget cameras will only rely on one main autofocus system, high-end DSLRs and mirrorless cameras generally let you choose between some or all of the below to get the best results.

Active Autofocus

Full-frame Canon camera mounted on tripod. A shooting setup where active AF may come in handy.

An active AF system works by shooting a beam of long wavelength (red) light straight at the target. Based on the resulting reflection, the camera determines the distance to the subject and focuses the lens accordingly. This is a very accurate autofocus system that can even work in low-contrast, low-light situations where manual focus by eye would be exceedingly difficult.

However, active AF mode does come with serious downsides. For one, the autofocus beam’s range is severely limited. On most cameras, this means that active AF only works for subjects that are very close to you. Active autofocus also tends to work rather poorly with subjects that won’t stay still.

Passive Autofocus

Close-up view of a fly in flight. Such tricky subjects are best tracked with passive AF systems.

Passive AF mode aims to fill the gaps left by those deficiencies by being much quicker and better at tracking moving subjects. The catch? How passive autofocus works varies from camera to camera, and different implementations have different degrees of effectiveness depending on what you’re shooting.

The two most widespread kinds of passive AF modes are Contrast Detect and Phase Detect. Both have their own strengths and weaknesses, and it is important to know which is more suitable for your shooting situation.

Contrast Detect

In Contrast Detect AF, your camera rapidly rocks the lens back and forth throughout its entire focus range whilst scanning for areas of high contrast using a software algorithm. In this way, the AF system tries to isolate a single point or multiple points of edge detail. Put differently, this autofocus mode uses localized spots of higher contrast ratios to determine distances between subjects and the background.

The advantage of this system is that it works in almost any environment, doesn’t rely on the reflection of a visible light AF beam, and is extremely accurate. However, compared to any active autofocus mode, Contrast Detect AF can be very slow. This is especially true in cases where overall contrast within the scene is relatively low.

Phase Detect

Phase Detect autofocus aims to be the perfect remedy to that problem. By utilizing an array of microlenses – you can imagine these as tiny mirrors – your camera analyzes the entire frame as soon as you depress the shutter release halfway. Because each microlens is slightly offset to the next, the differences in phase between each micro-image can be used to determine distance.

Because this does not rely on software algorithms or on mechanical focus control, Phase Detect AF is mighty fast. It can acquire focus much faster than most competing technologies, even in the case of very fast moving subjects, while also working reliably with static scenes. However, the effectiveness of Phase Detect AF greatly diminishes as ambient light levels decrease.

Hybrid AF Systems

To make switching between contrast and phase-detect systems on the fly easier, plenty of cameras nowadays support a so-called Hybrid AF system. By analyzing conditions such as lighting and contrast, Hybrid AF mode intelligently combines all available autofocus modes to give you the best, most reliable, and fastest possible result.

Differences in Autofocus Systems Between DSLR and Mirrorless Cameras

A side-by-side comparison between the physical appearance of a modern DSLR with a mirrorless camera for scale.

Now that you know that not all autofocus systems are made the same, it probably won’t surprise you as much to hear that choosing the correct autofocus mode may also depend on your camera model.

For instance, mirrorless cameras may offer both Phase Detect and Contrast Detect AF modes interchangeably; some even include a Hybrid AF mode, as I mentioned above. DSLRs, by virtue of their mirror box-based design, can only use Contrast Detect autofocus modes when in Live View.

Also, note that for those days when you do feel like switching back to manual mode, mirrorless also possesses a certain edge. Most DSLRs employ something called a digital rangefinder, which measures and notifies you of the perfect manual focusing distance, usually by a blinking light in the viewfinder. Mirrorless cameras are capable of using more advanced technologies, such as focus peaking, to give you a more detailed idea of which parts of your frame are in focus.

Many DSLRs also lag behind their mirrorless brethren a bit when it comes to AF point selection. While many flagship MILCs may boast literal hundreds of autofocus points scattered all over the viewfinder, DSLRs often only make do with a few dozen. On top of that, you can expect most of these to be clustered around the middle of the frame (with manual AF point accuracy generally decreasing a lot on DSLRs the further you go away from the center).

The only major place where camera designs don’t differ so much is in the kind of focusing modes that you can use. Let’s now take a look at each AF mode available on modern digital cameras and discuss their advantages!

Single Autofocus Modes (AF-S) for Stationary Subjects

A street portrait of a young fashion-forward woman posing with headphones. A perfect subject for AF-S single-servo autofocus mode.

AF-S, also known as one-shot AF, is the default autofocus mode on many cameras today. The ‘S’ here stands for ‘Single Servo’, which is also another way of referring to this kind of focus mode.

In AF-S mode, your camera autofocus system engages as soon as you half-press the shutter button. Alternatively, you may trigger AF-S via back-button focus as well.

AF-S is mostly used in portraiture, landscape photography, and in other situations where movement and subject tracking are of little relevance to the shot. Because your camera will only try to acquire focus once, it’s a great mode to use when precision is key.

Continuous AF Mode (AF-C)

A motorcycle racer looping around a corner. Fast action lends itself to continuous autofocus modes.

The total opposite of Single Servo autofocus is AF-C mode, short for Autofocus Continuous.

Continuous AF works just as the name implies: as long as you hold your finger down on the shutter button and until you take the shot, the AF point of your choice will continue to try and acquire focus. This is the main mode to use when you know you’ll be dealing with a quick, hard-to-track subject.

By combining AF-C mode with the right AF area mode (more on that in the next chapter below), you can effortlessly get continuous focus and sharp images even when the shooting rate exceeds your physical reaction speeds. This enables creative possibilities that would seem almost unachievable when limited to AF-S only!

Note that on Canon cameras, this mode is usually labeled AI Servo AF. Apart from the label, it’s the same technology underneath!

Full-Time Servo (AF-F) Focus Mode

A bird-of-prey flying with forest landscape in the distant background. A high-speed, high-focal length shot made easier by the use of AF-F continuous autofocus.

AF-F is an alternative continuous AF mode for fast moving subjects. Like AF-C, it engages the AF servo in a continuous fashion, making it more flexible than single-servo AF-S. Though the risk of mutual confusion is pretty great, there are some differences in operation when you compare AF-F and AF-C side-by-side.

Instead of engaging autofocus as soon as you half-press the shutter button and until you release the shutter all the way, AF-F fires up immediately as soon as you select it.

Half-pressing the shutter release is what actually locks focus in place when you’re in AF-F! Some of you may find this ergonomic difference to amount to a significantly improved workflow. Others may be deterred by the constant whirring of the autofocus motor – it’s your choice in the end whether to use AF-F.

Automatic Autofocus Modes (AF-A, AI Focus AF)

A young female dancer practicing a difficult routine. A challenging studio portrait exhibiting motion and precision of focus. A good choice for AF-A automatic autofocus mode.

These advanced autofocus modes don’t offer any unique features but are there instead to streamline the user experience. They are especially useful for photographers working in challenging environments who find themselves switching modes a lot.

AF-A, or to use Canon’s terminology, AI Focus AF, intelligently chooses between AF-S and AF-C modes depending on the conditions of the scene. Of course, this system isn’t perfect. Oftentimes, it may turn out neither as fast as AF-C nor as sharp as AF-S. However, it offers you one way of dialing in a jack-of-all-trades focus mode that’s good for just about any situation.

AF Area Modes Compared

Just like it’s important to tailor your focus modes to the shot at hand, so is it crucial for you to know your way around your camera’s AF area modes. These determine the behavior of the focus points that we talked about earlier.

The wrong combination of camera autofocus modes and AF Area may result in wasted shots. Even when all your other relevant camera settings are in order, poor AF management can backfire! That’s why I highly recommend getting in some practice with all of the settings covered below.

Single AF Area Modes

A viewfinder example for single-point AF Area modes. Best suited for slower, less action-heavy photography, single point AF Areas are often paired with single-servo autofocus modes.

This is the most basic AF Area mode of them all and the one that many photographers will find themselves using the most frequently. In Single Point AF Area mode, you manually choose a single focus point which will serve as a baseline for the AF system on where to concentrate focus.

You can freely move this one focus point around whether you’re in AF-S, AF-C, or a different focus mode.

Dynamic AF Area Mode

Autofocus tracking helicopter in the air from viewfinder perspective. Using Dynamic AF Area mode gives you lots of flexibility with unpredictable moving subjects.

This is a great mode to use for more unpredictable subjects that move around a lot. In Dynamic AF Area mode, you select one autofocus point just as above.

As soon as you half-press the shutter button, the AF mode will track your subject within the general area surrounding that point. What distinguishes Dynamic AF from all other Area AF modes is its ability to switch to a neighboring focus point area if your subject leaves the one you selected. This allows you to set up a reasonable focus point configuration before your shot and ‘fire and forget’ no matter how your subject moves during composition.

Dynamic AF Area mode is also called ‘single point AF Area mode’, as it combines the benefits of both single point selection and area-wide AF tracking. Paired with a continuous autofocus mode, it can be impressively powerful.

Auto AF Area Mode

A close-up street portrait of a young woman in Auto AF Area mode, showing face tracking in action.

As the name implies, Auto AF Area modes arrange and select autofocus point groups for you. Depending on the needs of the shot, Auto AF Area may pick a single point or a large group. These can adaptively change shape and size as the camera tracks the subject.

Generally speaking, this mode is not as fast as the conventional AF Area modes because your camera will try to make use of all the autofocus points it has available instead of basing itself on a user-determined selection. It’s also not the most precise, as you won’t have any manual control over focus acquisition whatsoever. That could lead your camera to automatically focus on something that wasn’t what you had in mind for the shot, for example.

However, for sheer flexibility, it’s hard to beat!

Group AF Area Mode

Street scene with people jogging along a trail. Group AF Area mode complements steady subject tracking.

This is the most basic of all the different AF Area modes. In Group AF, you simply draw a selection of any number of focus points to use in your shot. Your camera’s autofocus mode will not try to compensate for or adapt this selection while you’re composing, and the AF area will remain static until and unless you choose to manually edit it.

This mode works great for relatively predictable subject movement, as well as for static subjects spaced far apart, which wouldn’t work well enough in single-point AF mode.

Why Autofocus Modes Matter

A parkour artist traversing an obstacle by jumping a narrow gap. Shot from below.

No matter what combination you might find most useful to your photography, autofocus modes are crucial for maintaining full control over your gear. Whether homing in on one focus point in AF-S or using AF-C continuous focusing mode to track difficult subjects, AF modes, and their accompanying AF area modes can make or break the shot in almost any situation you might encounter.

That’s partly why today’s lessons are so crucial for success! Remember to thoroughly practice every bit that you have learned. Especially the modes you’re less familiar with should get some shooting time out in the field.

Even if you think you’re unlikely to make much use of, say, AF-C or AF-A, it’s healthy to get some training hours in to be comfortable with their operation, just in case. You never know when it might come in handy!

That’s all for today. Hope you found today’s guide helpful, and until next time! Happy shooting!

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Jonathan is a writer and photographer currently based in Poland. He has been traveling the world, taking pictures, and writing about his experiences for over five years. His favorite subjects include landscapes and street scenes.
Jonathan is a writer and photographer currently based in Poland. He has been traveling the world, taking pictures, and writing about his experiences for over five years. His favorite subjects include landscapes and street scenes.
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